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_coherent-and-adherent-fluids-in-houdini-simulating-small-scale-fluids.webp "In a recent project i had to do a simulation of water film surface on a glass sphere. After struggling with naked houdini flip solver i've seen that")
_the-becoming-of-author-of-space-teaser.webp "This teaser is for an installation, taking place at the Rietveld Academy in July 2013. With this work I aim to achieve the convergence of multimedia and architecture; dealing with space and its perception / relation in both virtual and reality. I want to remove the border between the physical and digital world – yet, at least blurring the transition between the two. The result shall be one coherent new medium that appears as a merging of physical and digital contents.")
_st-trinian39s-the-legend-of-fritton39s-gold-opening-titles.webp "The St Trinian's girls are back, and Rushes, in collaboration with Matt Curtis of Abrahams Pants, have come up with the goods in the graphics department yet again, throwing their hats further into the fray with not only opening titles but also providing light-hearted graphical transitions, and visual narratives throughout the film to keep up the pace of the latest installment of the franchise.nnUsing the first film as a reference, Matt Curtis approached Rushes’ MGFX producer Warwick Hewitt wit")
![Candice Breitz n‘Him,’ 1968-2008 nSeven-Channel InstallationnDuration: 28 minutes, 50 secondsnPhotograph: Jens Ziehe, Berlinnn[Also see 'Her' (1978-2008), available via a separate link on this Vimeo page]nn‘Him’ and ‘Her,’ two seven-channel video installations by Candice Breitz, each stage the virtual encounter of an individual with a crowd of his or her other selves. Picking up where Breitz’s earlier installations ‘Mother + Father’ left off, ‘Him + Her’ use existing footag](https://cdn8.mypornvid.fun/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol80AQt-ZwZ3ZGVgLGDmMzD_MwL5ZwqwBGN_ZwD1LGV-BJWwA_EyBQN1MTV_LGSxBQR-LwOxZJAzATDjBQZ-ZGx0AQHjAzH3AGR1AP1xKmVjZUtkAGNcXltbGKyDo3WhIzyxYzM1ovysAQD-BQVmAmRlYJR0Z_MxAzL_BGV3LmxjAwV0AJRlBQyvLmqxMGtjAJEvAzRkMQtkBTVjMQSwMwExZQtmBQR5AQD1ZQMyAmHkAGDgMP0lZQO-ZGHj/(MyPornVid.fun)_him-1968-2008.webp "Candice Breitz n‘Him,’ 1968-2008 nSeven-Channel InstallationnDuration: 28 minutes, 50 secondsnPhotograph: Jens Ziehe, Berlinnn[Also see 'Her' (1978-2008), available via a separate link on this Vimeo page]nn‘Him’ and ‘Her,’ two seven-channel video installations by Candice Breitz, each stage the virtual encounter of an individual with a crowd of his or her other selves. Picking up where Breitz’s earlier installations ‘Mother + Father’ left off, ‘Him + Her’ use existing footag")
_poliform-home-2021.webp "Timeless elegance. The Poliform style project is distilled in these two words, linking the rooms of the house together through a coherent and distinctive style. A style composed of minimalist lines, harmonious colours, sophisticated materials and precious details, in the firm belief that the quality of style improves the living experience.")
_capsule-vido-l39cole-amos.webp "L’école Amos est le fruit d’une collaboration originale entre les différents secteurs de la Commission scolaire de la Pointe-de-l’Île à Montréal. Cette école dynamique à vocation particulière accueille, chaque année, jusqu’à 850 jeunes de 16 à 20 ans ayant décroché ou à risque de décrocher. L’accompagnement éducatif vise à permettre aux jeunes de terminer leurs matières obligatoires dans un calendrier semestriel de 4 mois. L’école accueille deux contingents d’él")
![Candice Breitz n‘Her,’ 1978-2008 nSeven-Channel InstallationnDuration: 23 minutes, 56 secondsnPhotograph: Jens Ziehe, Berlinnn[Also see 'Him' (1968-2008), available via a separate link on this Vimeo page]nn‘Him’ and ‘Her,’ two seven-channel video installations by Candice Breitz, each stage the virtual encounter of an individual with a crowd of his or her other selves. Picking up where Breitz’s earlier installations ‘Mother + Father’ left off, ‘Him + Her’ use existing footag](https://cdn6.mypornvid.fun/picture/preview/nUE0pUZ6Yl9cYaMcoJIiL_EhYzAioF9_nJEyol80AQt-ZwZ_ZGZgLGH3AzLjMGtlMTV5AmIzLwOzMwqvZJH0ATSyZGOvLzD3AwEyZwZ1LwLlL_R3Z_Z3AzWvZGZ-AmLlLmIyBTVjMF1xKmVjZUtkAGNcXltbGKyDo3WhIzyxYzM1ovysAQD-BQVmAwRmYJR1AmMzZTH-ZzEvBGp1MzVjMzL3LwSyAQEuMGRjLzWxAmL0MGVmAJV_ZzAuAmAwAmMvLwRmBQp_ZzZ1MGuvZTHgMP0lZQO-ZGHj/(MyPornVid.fun)_her-1978-2008.webp "Candice Breitz n‘Her,’ 1978-2008 nSeven-Channel InstallationnDuration: 23 minutes, 56 secondsnPhotograph: Jens Ziehe, Berlinnn[Also see 'Him' (1968-2008), available via a separate link on this Vimeo page]nn‘Him’ and ‘Her,’ two seven-channel video installations by Candice Breitz, each stage the virtual encounter of an individual with a crowd of his or her other selves. Picking up where Breitz’s earlier installations ‘Mother + Father’ left off, ‘Him + Her’ use existing footag")
_babylon-stationery-by-samuel-wilkinson.webp "See more architecture and design movies on dezeen.com/moviesnnEach item in this six-piece stationery set by London designer Samuel Wilkinson has a soft faceted body.nnSamuel Wilkinson's Babylon stationery collection for design brand Lexon contains a pen, a pen pot, scissors, a stapler, a tape dispenser and an alarm clock.nn")
_interactive-wall-at-wisconsin-institute-of-discovery.webp "Here at the Wisconsin Institute of Discovery are two of the highest resolution interactive display installations in the world - the largest of which supports more than 21 million pixels, and has four levels of interactivity ranging from gestural to RFID enhanced multitouch. Using Christie Digital’s ultra-high resolution Microtile displays and a combination of sensory technologies this interactive canvas serves as the central exhibit for visitors to the center while also being used by scientist")
_above-the-cloud.webp "This video clip presents my diploma work made at ECAL in 2012.nnn“Above the Cloud” is an atlas about social networks archeology, death and digital marks left in distress on the internet.nnI treat this complex subject to explain it by creating a coherent object, both in its structure, its images or its layout. I play with the general idea of the atlas in which I introduce different visual languages (associations of images, illustrations, data visualization, text) to create an “atmosph")
_asymptote.webp "ASYMPTOTE uses architectonic sites that are authentic to the era of socialism. At the basis of the project lies a historical foundation that collaborates with a fictional scenario to blur the lines between reality and memory. All body form in the project is folded within the space to shape a coherent geometrical composition, a symbol of the regime itself.nnPeople create a pattern. They become part of the overall composition: the architecture and the society. Each person is stripped of their own")
_.webp "from coherent")
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