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_aadujeevitham-the-goat-life-review-by-vishal-amp-ram-124-prithviraj-sukumaran-124-blessy.webp "Story: Najeeb leaves for the Gulf to provide a better life for his family in Kerala, but in caught in the cruel realities of work here<br/>You don’t see Prithviraj the superstar in Aadujeevitham. Thanks to the real Najeeb’s presence during the movie promotions, you can see that the actor has brought alive on screen the character on whose life the story is based.<br/>Based on the book by Benyamin, Blessy’s directorial is almost a dystopian take on migrant life in the Middle East. Najeeb mortgages his property to get a visa for the Gulf. In the layered story, we see Najeeb leave behind a verdant Kerala in the hope of providing better opportunities for his family. But he and a friend, Hakim, are unwittingly picked up by the wrong Arab sponsor when they land in Saudi Arabia and are taken to separate desert camps to herd goats.<br/>The first half superbly juxtaposes life in Kerala and the harsh and cruel realities of the desert, where Najeeb lives a torturous existence with barely any food or water to meet his basic needs. And it would seem that the animals are kinder than the masters. Your heart goes out to the character and the trauma that his life has ironically become, in the hope of better pursuits.<br/>As one horrible day grows into another, Najeeb suddenly meets Hakim again and there is a slight hope of the chance to escape with the help of an African labourer, Ibrahim Qadri, who is, apparently, familiar with the area. Will they be able to come out safe forms the rest of the story. But the second half falls slightly short, for one, with the story stretching on, and also with the director’s propensity for gimmicks, which takes away from the overall gem of a story.<br/>What to say about Prithviraj, except that he lives the character and is superb as Najeeb, who is completely lost and at wit’s end in this unfamiliar region. Quite apart from the stunning body transformation, he brings the right mix of innocence and vulnerability to the role.<br/>The cinematography by Sunil KS and KU Mohanan give the film the feel of a masterpiece. The desert is stark under their gaze and adds to the emotions of the storytelling. AR Rahman’s soulful music is already a hit on social media.<br/>Having said all this, there is a slight lack of emotional resonance that was found in movies like Manjummel Boys and Premalu, the recent big Malayalam hits. But for a realistically told story of a man’s resilience and for Prithviraj’s acting, Aadujeevitham is bound to move audiences.<br/>#blessy #aadujeevitham #thegoatlife #prithvirajsukumaran #malayalamcinema")
_who-won-boys-or-girls.webp "Who won! Boys or girlsfollow me")
_masii-boys-high-school-dormitory-razed-down-by-fire.webp "A dormitory has been razed down by an inferno at Masii Boys High School in Mwala, Machakos County. https://rb.gy/2285uw<br/>")
_when-boys-choosing-career-funny-meme-comedy-funnyshorts-trendingmeme-shortstrendzz.webp "When Boys Choosing Career #funny #meme #comedy #funnyshorts #trendingmeme #ShortsTrendzz")
_bad-boys-for-latteaidan-tanner.webp "Bad Boys for Latte@Aidan Tanner")
_n-o-k-124-floyd-124-official-video-124-directed-by-byrdee-films.webp "New Single from N.O.K. produced by TaylorMadeBeatz<br/>off the upcoming project A-Town Chronicles Vol. 2<br/>Recorded at Chop Shop Music House<br/>(Tempe, AZ)<br/>Mixed by Mixlord & Cee Major<br/>#atownchroniclesvol2 #floyd #spotify #applemusic<br/><br/>Available on all streaming services<br/>Apple Music: https://apple.co/2NIepl5<br/>Spotify: https://spoti.fi/2IrVcxy<br/>Amazon: https://amzn.to/30NI5ko<br/>Deezer: http://bit.ly/30NzQ7V<br/>Distrokid: http://bit.ly/2PuEgPG<br/><br/>Lyrics:<br/><br/>first and foremost lets make shit clear<br/>hatred in the matrix is on a pace wit<br/>the rise of the racists in the nation, <br/>ain't it fly how he thrive in a snake pit <br/>dap a guy show em love from the gate,<br/>then they go behind and they say shit<br/>on the grind and my mind is in space<br/>like lookin in the eyes of the faceless<br/>pavement invader you find the cannon adjacent<br/>language abrasive not a fan of the fakeness<br/>monkey wit my money<br/>he go bananas and apeshit<br/>comfy wit some funny <br/>the dutchee stubborn and makeshift<br/>just a taste a plate to take wit<br/>can't mistake the great wit fake <br/>he on the paperchase he like a attic<br/>he can't quit<br/>savage wit his matters <br/>he pattern the same script<br/>niggas said he average and can't spit<br/>must be sniffin on lavender paint chips<br/>on an island and stylin the case is<br/>keep it a thousand and piling the greatness<br/>on any calendar day <br/>the talent displayed<br/>beat these bums niggas all soundin the same<br/>do the math like you counting some change<br/>ill do half not accounting for lames<br/>niggas crowding my lane<br/>take a minute to retort <br/>now every critic that listen and gettin pist at the vision<br/>they got a voice<br/>not a mention or sentence, or attention on the flip when ya shit is hittin ain't got a choice<br/>whats a man to a lotta boys wit a lotta noise and a ego that you gotta void <br/>cats think its a game like a pile of toys<br/>til they get in the ring with the <br/>talent and style of floyd")
_the-shooting-of-dan-mcgrew-poem-recited-taylor-holmes.webp "Notice the wild ragtime piano playing at the very start of this poem from the Yukon.<br/><br/>The Shooting of Dan McGrew<br/><br/>Poem by Robert W. Service <br/><br/>A bunch of the boys were whooping it up in the Malamute saloon;<br/>The kid that handles the music-box was hitting a jag-time tune;<br/>Back of the bar, in a solo game, sat Dangerous Dan McGrew,<br/>And watching his luck was his light-o'-love, the lady that's known as Lou.<br/><br/>When out of the night, which was fifty below, and into the din and the glare,<br/>There stumbled a miner fresh from the creeks, dog-dirty, and loaded for bear.<br/>He looked like a man with a foot in the grave and scarcely the strength of a louse,<br/>Yet he tilted a poke of dust on the bar, and he called for drinks for the house.<br/>There was none could place the stranger's face, though we searched ourselves for a clue;<br/>But we drank his health, and the last to drink was Dangerous Dan McGrew.<br/><br/>There's men that somehow just grip your eyes, and hold them hard like a spell;<br/>And such was he, and he looked to me like a man who had lived in hell;<br/>With a face most hair, and the dreary stare of a dog whose day is done,<br/>As he watered the green stuff in his glass, and the drops fell one by one.<br/>Then I got to figgering who he was, and wondering what he'd do,<br/>And I turned my head — and there watching him was the lady that's known as Lou.<br/><br/>His eyes went rubbering round the room, and he seemed in a kind of daze,<br/>Till at last that old piano fell in the way of his wandering gaze.<br/>The rag-time kid was having a drink; there was no one else on the stool,<br/>So the stranger stumbles across the room, and flops down there like a fool.<br/>In a buckskin shirt that was glazed with dirt he sat, and I saw him sway;<br/>Then he clutched the keys with his talon hands — my God! but that man could play.<br/><br/>Were you ever out in the Great Alone, when the moon was awful clear,<br/>And the icy mountains hemmed you in with a silence you most could hear;<br/>With only the howl of a timber wolf, and you camped there in the cold,<br/>A half-dead thing in a stark, dead world, clean mad for the muck called gold;<br/>While high overhead, green, yellow and red, the North Lights swept in bars? —<br/>Then you've a hunch what the music meant. . . hunger and night and the stars.<br/><br/>And hunger not of the belly kind, that's banished with bacon and beans,<br/>But the gnawing hunger of lonely men for a home and all that it means;<br/>For a fireside far from the cares that are, four walls and a roof above;<br/>But oh! so cramful of cosy joy, and crowned with a woman's love —<br/>A woman dearer than all the world, and true as Heaven is true —<br/>(God! how ghastly she looks through her rouge, — the lady that's known as Lou.)<br/><br/>Then on a sudden the music changed, so soft that you scarce could hear;<br/>But you felt that your life had been looted clean of all that it once held dear;<br/>That someone had stolen the woman you loved; that her love was a devil's lie;<br/>That your guts were gone, and the best for you was to crawl away and die.<br/>")
_bad-boys-ride-or-die-official-trailer-hd.webp "<br/>\")
_xxx-online-multiplayer-gba.webp "https://www.romstation.fr/multiplayer<br/>Play xXx online multiplayer on Gameboy Advance emulator with RomStation.")
_article-20-124-the-making-of.webp "Wang is on trial for murdering the man who raped his wife and a boys future is jeopardised when he injures the school bully while protecting a friend")
_cherish-the-ladies-irish-barn-dance-boys.webp "Irish Barn Dance Boys <br/><br/>Patrick Killoran and Patrick Sweeney")
_chance-perdomo-star-of-39jane-v39-and-39chilling-adventures-of-sabrina39-has-died-at-the-age-of-27-years.webp "Chance Perdomo, creator of the television series “Jane V” and “Chilling Adventures of Sabrina,” died as a result of a motorcycle accident. He was 27 years old.<br/><br/>Perdomo's publicist confirmed the death of the British-American actor in a statement to Variety on Saturday: “It is with a heavy heart that we announce the untimely passing of Chance Perdomo due to a motorcycle accident for. Police advised there were no other individuals involved. His passion for the arts and boundless zest for life was felt by all who knew him and his warmth to those who loved him and we ask that the family's wishes of privacy be respected while mourning the loss of a beloved son and brother.”<br/>The wait for his publicist to answer the location of Perdomo's death is different. Los Angeles Police Department representatives could not confirm whether Perdomo died in Los Angeles when reached by Variety on Sunday. The LA coroner's office did not immediately respond to a request for comment.<br/><br/>Perdomo was best known for his roles as Ambrose Spellman on Netflix's Chilling Adventures of Sabrina and Andre Anderson on the Jane V, The Boys spinoff series.<br/><br/>“We can’t wrap our heads around this at all. To those of us who knew and worked with him, Chance was always charming and smiling, a charming force of nature, an incredibly talented artist, and more than anything else, he was just so kind, lovely.” “Jane V” was the one. the manufacturers said in a joint statement. “There’s no point in even writing about it in the past. We are saddened by Chance's family and mourn the loss of a friend and colleague. Hug your loved ones tonight.”<br/>Perdomo was born on October 19, 1996.")
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