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A mum told she would never walk again after a freak rugby accident is competing to be crowned the world's strongest woman. <br/><br/>Nikki Ellerington, 45, says her sporting dreams were in tatters when she suffered a bad ankle break while playing rugby - with doctors telling her she'd likely never walk again. <br/><br/>After six to eight months of rehabilitation, Nikki defied the odds to take her first steps since her accident and even went on to be able to run 10km within three years. <br/><br/>Determined Nikki wasn't prepared to give up and soon began taking up cross-fit and training to get fit. <br/><br/>In October 2023, she was selected to compete in the over 40s category in the World Finals of the Official Strongman Games in Charleston, West Virginia, US, through an online qualifier.<br/><br/>The mum-of-four spent three days lifting huge weighted stones, sandbags, backpacks and 70kg metal blocks - and finished 21st out of 28 in her category.<br/> <br/>Nikki has also gone on to compete at the Official Strongman Games in England and will soon be heading off to compete in Finland.<br/><br/>Nikki, a personal trainer, from Hull, East Yorkshire, said: \
⏲ 2:33 👁 285K
 from hidden camera of woman changing clothes in room
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The House Where Death Lives is available now on Blu-ray from Vinegar Syndrome!<br/>https://vinegarsyndrome.com/products/the-house-where-death-lives<br/><br/>Meredith Stone, a home care nurse, has been assigned the duty of looking after a wealthy invalid named Ivar Langrock. Cooped up in Langrock's stately country mansion, Meredith quickly suspects that someone sinister is lurking in the manor's dark halls only to discover that Ivar's demented and violent son has been locked away in a hidden room. Shortly thereafter, Ivar's grandson Gabriel also moves into the house and with his arrival a mysterious killer soon begins murdering members of the Langrock family along with their live-in staff.<br/><br/>An unjustly obscure early slasher made while the genre was still discovering and establishing its key tropes, Alan Beattie's THE HOUSE WH3R3 DEATH LIVES (aka Delusion) offers a twisted murder mystery which bridges the more nuanced and character-driven thrillers of the 70s with the stalk-and-slash structure of the early 80s. Starring Patricia Pearcy (Squirm) and John Dukakis (Jaws 2) along with Hollywood legend Joseph Cotten (The Third Man), Vinegar Syndrome is proud to bring this hidden gem of spooky-old-house atmosphere and blood-soaked mayhem to Blu-ray, newly restored in 4K from its 35mm camera negative and presented in its longest and most complete version ever released on home video.<br/><br/>directed by: Alan Beattie<br/>starring: Patricia Pearcy, John Dukakis, Joseph Cotten, David Hayward, Alice Nunn, Patrick Pankhurst<br/>1981 / 91 min / 1.85:1 / English DTS-HD Master Audio Mono<br/><br/>Additional info:<br/><br/> • Region A Blu-ray<br/> • Newly scanned and restored in 4K from its 35mm original camera negative<br/> • Commentary track with The Hysteria Continues!<br/> • Dear John (19 min) - an interview with actor John Dukakis<br/> • Stuck in That House (15 min) - an interview with actor David Hayward<br/> • Mad House (25 min) - author Stephen Thrower on The House Where Death Lives<br/> • Reversible sleeve artwork<br/> • English SDH subtitles
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The sister of a woman murdered by her estranged husband says her hopes for meaningful change have been dashed after hearing the Bombara family's story and the lack of support from Western Australia police. The details of Ariel Bombara's pleas for help to stop her father hurting her and her mother have reverberated across the country.
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The Maid tells the story of Jack, an emotionally troubled teenager living in the US, who travels to England to spend his upcoming birthday with his estranged dad, hoping to salvage their fragile relationship. Arriving at his dad's house, he is introduced to Maria, the beautiful and mysterious older foreign woman working there. When Maria learns about Jack's troubled life, she becomes emotionally attached to him, as his life story reminds her of her own troubled past. Jack also finds himself being emotionally drawn to Maria, and his desire towards her forces him to take steps towards changing their friendship into a relationship, which will change both of their lives forever.
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In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.
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#bleakhouse#charlesdickenshttps://www.youtube.com/channel/UC5domZkB-eRa6BuFOO8OXaQ<br/>Tulkinghorn now has Lady Dedlock in his grasp but his hardheartedness is beginning to catch up with him. Miss Flite returns to her lodgings to find that Smallweed has changed the locks on her rooms. He throws her out for non-payment of rent. Esther seeks Guppy's help but he is repulsed by her scarred face. She wants him to stop all inquiries into her background and he agrees. Esther learns the identity of the woman who raised her. John Jarndyce asks Esther to marry him and she agrees. He immediately has second thoughts. Richard Carstone is being crushed by his growing debts.Sgt. George learns that his debts are being called in.<br/>Starring:<br/>Denis Lawson<br/>Anna Maxwell Martin<br/>Patrick Kennedy<br/>Carey Mulligan<br/>Gillian Anderson<br/>Charles Dance<br/>Alun Armstrong<br/>Timothy West<br/>Burn Gorman<br/>Harry Eden
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The video transcription describes a situation where the speaker was on set shooting a rehearsal for a song with Sanjay Leela Bansali. However, at 3 o'clock, the director decided to change the plan and do something different, catching the speaker off guard. The speaker describes the process of figuring out the new sequence for the song, with the camera following their movements in one continuous take. This experience was significant for the speaker as it was their first song with Sanjay Leela Bansali. #vizard
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<p>A Whitstable woman is refusing to pay her housing estate service charge</a> despite being threatened with legal action.</p><p>Christine Curtis has been withholding the charge for four years, because of a lack of maintenance and repairs.</p><p>Eight chicks have died near Canterbury after a roadworks notice was posted into a letterbox</a> despite clear warnings the birds were nesting inside.</p><p>Residents in Staple taped up the letterbox slot and wrote \
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The Story of Moses<br/>A long time ago, in a land called Egypt, the Israelites were slaves. They worked very hard and were treated badly by the Egyptians. A cruel king named Pharaoh ruled over Egypt. He was afraid that the Israelites were becoming too many, so he ordered that all baby boys born to the Israelites should be killed.<br/><br/>One day, a baby boy was born to an Israelite family. His mother loved him very much and wanted to save him. She hid him for three months, but when she could no longer keep him hidden, she made a small basket, coated it with tar to make it waterproof, and placed the baby inside. She then put the basket in the reeds along the Nile River.<br/><br/>Pharaoh's daughter came down to the river to bathe and saw the basket among the reeds. She sent her servant to get it. When she opened the basket and saw the crying baby, she felt sorry for him and decided to keep him. She named him Moses, which means \
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Credit: SWNS / Issy Montgomery<br/><br/>A woman who lost 11 stone after two weight loss surgeries says she has 'skinny privilege' now she is smaller - and strangers treat her differently. <br/><br/>Issy Montgomery, 24, had always been “big” but found herself piling on the weight during lockdown and was soon tipping the scales at 24st 11lbs and bursting out of a size 32. <br/><br/>She had always struggled with yo-yo dieting and couldn’t find anything that worked for her when it came to keeping the weight off.<br/><br/>Issy changed up her diet and looked into weight loss surgery and had a gastric sleeve in September 2022 on the NHS.
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