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Picky - J Alvarez<br/><br/>Sigue a J Alvarez en<br/>Instagram:<br/>https://instagram.com/jalvarezoficial...<br/><br/>YouTube:<br/>https://bit.ly/JAlvarezYT<br/><br/>Spotify:<br/>https://bit.ly/JAlvarezSpotify<br/><br/>Apple Music:<br/>https://bit.ly/JAlvarezAppleMusic<br/><br/>Deezer Music:<br/>https://bit.ly/JAlvarezDeezer<br/><br/>Tidal:<br/>https://bit.ly/JAlvarezTidal<br/><br/><br/>℗ 2024 On Top of the World Music, Inc | Powered by GLAD Empire, LLC
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This is the fourth instalment on the live version of Josh Smith's tune “Triple J Hoedown,” featured on his album, Live at the Spud, recorded at the infamous Baked Potato in Los Angeles. We looked at the section that precedes his guitar solo and features drummer Gary Novak and Josh freely improvising on the groove with no strict adherence to any chord progression. Here, Josh talks about what he plays in the tune’s solo section.
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Migos ft. Cardi B - Back in Business (Music Video)<br/>
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Michael J. Fox is an example of an extraordinary human being. Not only has he starred in great movies and TV shows that have shaped his career, but the Canadian-American actor has done incredible work toward research funding to find a cure for Parkinson’s. Now, his good pal, Ryan Reynolds, has made sure to give the \
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In Cold Blood - Episode 91
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24 Oras is GMA Network’s flagship newscast, anchored by Mel Tiangco, Vicky Morales and Emil Sumangil. It airs on GMA-7 Mondays to Fridays at 6:30 PM (PHL Time) and on weekends at 5:30 PM. For more videos from 24 Oras, visit http://www.gmanews.tv/24oras.<br/><br/>#GMAIntegratedNews #KapusoStream<br/><br/>Breaking news and stories from the Philippines and abroad:<br/>GMA Integrated News Portal: http://www.gmanews.tv<br/>Facebook: http://www.facebook.com/gmanews<br/>TikTok: https://www.tiktok.com/@gmanews<br/>Twitter: http://www.twitter.com/gmanews<br/>Instagram: http://www.instagram.com/gmanews<br/><br/>GMA Network Kapuso programs on GMA Pinoy TV: https://gmapinoytv.com/subscribe
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House of the Dragon Season 2Last Final Trailer
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In film editing, transitions between scenes are sometimes overlooked opportunities to help tell your story. While most scene transitions use only a simple cut, there are many more creative and cinematic transitions filmmakers can use. In this video, we’ll review the various video transitions and film transitions, their particular qualities, and what they add to visual storytelling. <br/><br/>One of the most common film transitions is the fade in and fade out. Typically, these are used to open and close a film but they can also be used in between scenes to create a more definitive separation. Besides the cut, one of the most frequently used transitions is the dissolve (or cross dissolve). This is when one scene gradually fades out while the next scene gradually fades in. The dissolve is just one of the techniques used to create seamless transitions but also to suggest a passing of time or to switch to a flashback or dream.<br/><br/>The match cut is a film transition purely meant to create a connection between one shot to the next or one scene to the next. That connection can be made with shapes, colors, movement, or even sound. The match cut is an instant scene transition but a match dissolve accomplishes both the “connection” of a match cut with the “smoothness” of a cross dissolve. The iris transition is an old-fashioned technique that is rarely used unless you’re going for a nostalgic or retro style.<br/><br/>Similarly, the wipe transition is a bit archaic in terms of film and video transitions. George Lucas built the wipe transition into the visual language of Star Wars as a nod to his two biggest inspirations for the Skywalker Saga — the Flash Gordon serials and Kurosawa’s Hidden Fortress. A modern approach to these same cinematic transitions is called a passing transition (or pass-by effect). This involves using movement in the frame to wipe seamlessly into the next scene and it’s one of director Edgar Wright’s favorite film editing transitions.<br/><br/>Next, there’s the whip pan, when the camera pans quickly to create a blurry image (where a cut can be hidden) leading into another whip pan to start the next scene. These types of film transitions not only create smooth transitions, they help sustain the momentum from one scene to the next. A smash cut is perhaps the most abrupt film transition because it is built on contrast between loud and quiet, or active and still, or sometimes both. <br/><br/>Finally, there’s the J cut and L cut, two ways to use a split between audio and video for a variety of effects. For example, an L cut is often used when a character begins narrating a flashback. And a J cut is commonly used to build anticipation for the following scene. These are just the most common video transitions and new transition effects are created all the time. Your job as filmmakers is to find the right scene transitions that help tell your story.
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But de le j - Team 1 from 265 j
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In this video, we present the beautiful recitation of Surah Al-Baqarah Ayah/Verse/Ayat 265 in Arabic, accompanied by English and Urdu translations with on-screen display. To facilitate a comprehensive understanding, we have included accurate and eloquent translations in English and Urdu.<br/><br/>Surah Al-Baqarah, Ayah 265 (Arabic Recitation): “ وَمَثَلُ ٱلَّذِينَ يُنفِقُونَ أَمۡوَٰلَهُمُ ٱبۡتِغَآءَ مَرۡضَاتِ ٱللَّهِ وَتَثۡبِيتٗا مِّنۡ أَنفُسِهِمۡ كَمَثَلِ جَنَّةِۭ بِرَبۡوَةٍ أَصَابَهَا وَابِلٞ فَـَٔاتَتۡ أُكُلَهَا ضِعۡفَيۡنِ فَإِن لَّمۡ يُصِبۡهَا وَابِلٞ فَطَلّٞۗ وَٱللَّهُ بِمَا تَعۡمَلُونَ بَصِيرٌ ”<br/><br/>Surah Al-Baqarah, Verse 265 (English Translation): “ And the example of those who spend their wealth seeking means to the approval of Allāh and assuring [reward for] themselves is like a garden on high ground which is hit by a downpour - so it yields its fruits in double. And [even] if it is not hit by a downpour, then a drizzle [is sufficient]. And Allāh, of what you do, is Seeing. ”<br/><br/>Surah Al-Baqarah, Ayat 265 (Urdu Translation): “ ان لوگوں کی مثال جو اپنا مال اللہ تعالیٰ کی رضامندی کی طلب میں دل کی خوشی اور یقین کے ساتھ خرچ کرتے ہیں اس باغ جیسی ہے جو اونچی زمین پر ہو اور زوردار بارش اس پر برسے اور وه اپنا پھل دگنا ﻻوے اور اگر اس پر بارش نہ بھی برسے تو پھوار ہی کافی ہے اور اللہ تمہارے کام دیکھ رہا ہے۔ ”<br/><br/>The English translation by Saheeh International and the Urdu translation by Maulana Muhammad Junagarhi, both published by the renowned King Fahd Glorious Qur'an Printing Complex (KFGQPC). Surah Al-Baqarah is the second chapter of the Quran.<br/><br/>For our Arabic, English, and Urdu speaking audiences, we have provided recitation of Ayah 265 in Arabic and translations of Surah Al-Baqarah Verse/Ayat 265 in English/Urdu.<br/><br/>Join Us On Social Media: Don't forget to subscribe, follow, like, share, retweet, and comment on all social media platforms on @QuranHadithPro . <br/>➡All Social Handles: https://www.linktr.ee/quranhadithpro<br/><br/>Copyright DISCLAIMER: ➡ https://rebrand.ly/CopyrightDisclaimer_QuranHadithPro <br/>Privacy Policy and Affiliate/Referral/Third Party DISCLOSURE: ➡ https://rebrand.ly/PrivacyPolicyDisclosure_QuranHadithPro <br/><br/>#SurahAlBaqarah #surahbaqarah #SurahBaqara #surahbakara #SurahBakarah #quranhadithpro #qurantranslation #verse265 #ayah265 #ayat265 #QuranRecitation #qurantilawat #quranverses #quranicverse #EnglishTranslation #UrduTranslation #IslamicTeachings #سورہ_بقرہ# سورةالبقرة .
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